A pleasant Tuesday morning to you; and we’re going to cut straight to the chase…
Not one but TWO rad DC events to tell you about today.
First us is Omar Souleyman. Souleyman is a wedding singer from Syria, and he made tons and tons of tapes of his music, pretty much to promote himself. Anti-world world label Sumblime Frequencies brought his sound to American and European audiences maybe 6 or 7 years ago now, and he’s since toured a whole bunch, and made music with Bjork and Four Tet, among others. Not sure how much of this kinda thing you have in your life right now, but we’re pretty sure you need more of it:
Souleyman is TONIGHT at the Howard Theatre.
Second, there’ll be a truly rare opportunity coming this Thursday.
You have not heard of Charanjit Signh, most likely. Signh was in the Bollywood film industry in the 70’s and 80’s, making music for movies. As such, he had access to some pretty state-of-the-art audio gear for the time, including some now-classic analog synths: the 303 and the 808 and others. A longtime fan of classical Indian music (and, folks, you need to get into classical Indian music – it’s pretty amazing stuff), Singh thought to try to promote or popularize or ‘update’ these older forms for the new, hip kids the films were being marketed to. And what was hip in India in the early 80’s? DISCO.
Thus, 10 Ragas to a Disco Beat, which was released in ’82. And as a record, it failed.
Flash forward to a few years ago, this record gets “discovered” by dance music nuts. It turns out Singh’s work sounds a heck of a lot like acid house, which didn’t arrive on the scene in Chicago until 1987.
Singh will be at Tropicalia on U street on Thursday, so you have two days to prepare yourselves for this. It will be quite the show, folks.
[Full disclosure: my friend’s techno unit Protect-U is opening for Signh]
Keep on dancin’, Team.