That’s right, it’s Party Time at the Music Library again.
Next Wednesday, September 7th from 3pm-6pm, we will be hosting our second open house! Stop by for a few minutes to snack on some refreshments, chat with our friendly staff, and learn more about the Music Library’s holdings and services.
If you’re a new student at AU, or if you’re a returning student that’s never made it over here, this is the perfect opportunity to check out what we can do for you, and to enjoy some cookies while you’re at it.
If you’re a regular at the Music Library, consider bringing some friends to introduce them to this valuable campus resource.
We are located in the Katzen Arts Center, Room 150. Hope to see you there!
Some really existing news from our friends at Naxos Music Library: beginning last week, they’ve started adding the catalogs of EMI Classics, Blue Note Records, and Virgin Classics to their already expansive collection of 800,000+ streaming tracks. All 7,200 or so albums should be available by the end of the year.
From their press release:
The legacy of the catalogs of these labels is made apparent by the ensembles, instrumentalists, vocalists and conductors that appear on their decades of recordings, including the likes of Art Blakey, Thelonius Monk, John Coltrane, Charlie Parker, Evgeny Kissin, Sir Simon Rattle, Elisabeth Schwarzkopf, Maria Callas, Wilhelm Furtwängler, the Berliner Philharmoniker, Bill Charlap, Lionel Loueke, Joe Lovano, Jason Moran, Robert Glasper, Ambrose Akinmusire, and countless others. The documentation of great past performers as well as new releases on all three labels will serve as an invaluable educational tool to Naxos Music Library subscribers.
Naxos Music Library can be accessed by members of the AU community either on-campus or off (with your myAladin login).
Beethoven — Sonata no. 5 for piano & violin in F major, op. 24, Spring, Sonata no. 9 for piano & violin in A major, op. 47 Kreutzer ; Sonata no. 10 for piano & violin in G major, op 96; Casadesus, Francescatti (CD 9389)
Beethoven — Violin Concerto in D Major, Op. 61; New York Philharmonic, Stern, Barenboim (CD 9390)
Mozart — The Piano Quartets; Ax, Stern, Laredo, Ma (CD 9391)
Brahms — Trio no. 1 in B major, op. 8 ; Trio no. 3 in C minor, op. 101 (CD 9366)
Mozart – Quartet in F, K. 370, for oboe, violin, viola, and cello. Adagio in C, K. 580a, for cor anglais, violin, viola, and cello. Divertimento no. 11 in D, K. 251, “Nannerl-Septett” (CD 9394)
Mozart — Serenade K. 361, Winds, Hogwood (CD 9395)
Mozart — Sinfonia concertante for violin, viola and orchestra in E-flat major, K. 364, Sinfonia concertante for oboe, clarinet, horn, bassoon and orchestra in E-flat major, K. 297b, Rondo for violin and orchestra in B-flat major, K. 269 (CD 9396)
Mozart — Piano concerto no. 20, in D minor, K. 466 ; Piano concerto no. 27 in B-flat major; Columbia Symphony Orchestra (CD 9397)
Mozart — Konzert für Klavier und Orchester No. 18, Konzert für Klavier und Orchester No. 24 (CD 9399)
Mozart — Konzert für Klavier und Orchester No. 25 , für Klavier und Orchester No. 19 (CD 9400)
Mozart — String quartets G major & D minor, Emerson String Quartet (CD 9401)
Mozart — Clarinet and Sinfonia concerto, K. 364, K. 622 (CD 9402)
Mozart — Concertos for two & three pianos, Andante and variations for four hands in G major, K. 501, Fantasia in F minor K. 608, English Chamber Orchestra (CD 9392)
Beethoven — Triple Concerto, Piano Trio Op. 121a “Kakadu” variations; Beaux Arts Trio, London Philharmonis Orchestra, Haitnk (CD 9388)
Legendary bluegrass fiddler, Kenny Baker, died last month at the age of 85. He was the longest-tenured member of Bill Monroe‘s Bluegrass Boys, joining the group in 1957, and playing with them off-and-on for the next thirty years.
He brought a sensitive and smooth style to bluegrass fiddling, showing his influences from Western swing string bands and continental jazz violinists like Stéphane Grappelli, and influencing generations of country fiddlers to follow.
In addition to his innumerable recordings with the Bluegrass Boys, he recorded many popular albums as a leader, most of which are available on the Alexander Street Press American Song database (Aladin login required off-campus). Be sure to check out some (or all) of the following to see why he’s so revered.
Like the title says, a dozen traditional and Baker-composed fiddle tunes. The crack band has typical bluegrass instrumentation, and features an 18-year old Sam Bush on mandolin.
Kenny Baker plays Bill Monroe, and Bill Monroe does too. The father of bluegrass was allegedly supposed to sit in on a tune or two for this album of Monroe compositions, but ended up playing on the whole thing. First rate stuff.
This is an unusual one. Baker hardly touches the fiddle on this 1974 record with Flatt & Scruggs dobro player, Josh Graves, instead featuring his considerable finger-picking chops. This is comfortable, front porch music, perfect for these hot late-summer nights.
This week’s Radiolab podcast deals with ragtime pianist, Bob Milne, and his unique and unusual abilities of musical perception, recall, and imagination. Take my word for it, it’s astounding.